[REVIEWS] Films: Miscellaneous
Oct. 2nd, 2011 12:22 amThere's not really a theme for this set of reviews. I suppose the common thread is that I looked at the titles on my Netflix queue and these made me say "Why haven't I seen this yet?"
Johnny Got His Gun (1971)
Based on the novel by Dalton Trumbo, this disturbing antiwar film chronicles the tragic fate of a World War I soldier (Timothy Bottoms) who survives a mortar shell only to have lost his arms, legs, ears, eyes, nose and mouth. Initially, he doesn't know whether he's dead, alive or dreaming. And though he can't hear, see or speak, he learns how to communicate his most fervent wish: to be taken on tour as evidence of the horrors of war.
Johnny Got His Gun is one of my favorite books of all time, so I was a little nervous about what Hollywood had done to it, even though the author wrote the screenplay and directed it. Turns out, it's pretty good, even with occasional poor 1970s acting. Still, I don't recommend seeing the film unless you've read the book. There's a lot in the text that just doesn't translate to the screen very well. [Rating: 3 stars]
The Apartment (1960)
C.C. Baxter (Jack Lemmon) has his future mapped out -- all he needs to do is cozy up to the top feeders in the corporate food chain. But his fast track to the executive suite gets short-circuited when he falls for one of the bosses' girlfriends. The Apartment features top-notch performances from Lemmon and Shirley MacLaine and was nominated for 10 Academy Awards, winning five, including Best Picture.
First: holy crap, how cute is Shirley MacLaine? And second: I think I'd enjoy romantic comedies more often if they included suicide attempts. ...I don't mean I find suicide entertaining in and of itself. I just am a fan of ... darker elements, I suppose. Anyway, GOOD MOVIE. Watch it, if you haven't before. And if you have ... watch it again! [Rating: 4 stars]
The Philadelphia Story (1940)
Socialite Tracy Lord (Katharine Hepburn) prepares to remarry, but her ex (Cary Grant) and a tabloid reporter (Best Supporting Actor Oscar-winner James Stewart) have other ideas as they converge on her home for a fateful visit. The three stars form an incomparable trio in one of the most tantalizing screwball romances ever. And under the direction of George Cukor, this once-urbane Broadway comedy springs to life with precision and wit.
This movie lost half a star because Jimmy Stewart is in it, and I hate his stupid voice so much it makes me feel violent. XD But put that aside and I quite enjoyed this movie. In the character department, I was thoroughly amused by Dinah and Uncle Willie. When it comes to the acting, my favorite things were drunk Katharine Hepburn and Jimmy Stewart (in scenes together and apart) and Cary Grant's delivery in his scenes with the new fiancé. It took me a little longer than I'd have liked to get into the movie, but once I did, it was a fun one. [Rating: 3 stars]
Eternal Sunshine of the Spotless Mind (2004)
After learning that his mercurial ex-girlfriend, Clementine Kruczynski (Kate Winslet), has undergone an experimental medical process to purge all memories of him, mild-mannered Joel Barish (Jim Carrey) opts for the same procedure. But during the operation, he decides he doesn't want to lose what's left of their relationship and tries to conceal her image in his memory cells. This quirky romantic comedy won an Oscar for Best Original Screenplay.
I really wanted to like this movie. Really, I did. But it didn't work out that way. I was bored by it, and therefore occasionally confused because my attention would wander and I'd miss something. I didn't like any of the characters and I didn't really believe the relationship. There wasn't great screen chemistry so the whole thing just felt ... flat. [Rating: 2.5 stars]
Punch-Drunk Love (2002)
Barry Egan (Adam Sandler) -- a bathroom supply salesman prone to paroxysms of destructive rage -- finds his life refreshed when he meets Lena Leonard (Emily Watson), who falls in unconditional love with him. Meanwhile, Egan tries to escape constant harassment from his seven sisters as well as three thugs who have implicated him in a phone sex extortion scam. Paul Thomas Anderson (Boogie Nights, There Will Be Blood) writes and directs.
I couldn't even make it all the way through this. It felt so random and pointless, and I'd just been bored half to death by Eternal Sunshine that I just had to stop about halfway through. [Rating: 1 star]
Johnny Got His Gun (1971)
Based on the novel by Dalton Trumbo, this disturbing antiwar film chronicles the tragic fate of a World War I soldier (Timothy Bottoms) who survives a mortar shell only to have lost his arms, legs, ears, eyes, nose and mouth. Initially, he doesn't know whether he's dead, alive or dreaming. And though he can't hear, see or speak, he learns how to communicate his most fervent wish: to be taken on tour as evidence of the horrors of war.
Johnny Got His Gun is one of my favorite books of all time, so I was a little nervous about what Hollywood had done to it, even though the author wrote the screenplay and directed it. Turns out, it's pretty good, even with occasional poor 1970s acting. Still, I don't recommend seeing the film unless you've read the book. There's a lot in the text that just doesn't translate to the screen very well. [Rating: 3 stars]
The Apartment (1960)
C.C. Baxter (Jack Lemmon) has his future mapped out -- all he needs to do is cozy up to the top feeders in the corporate food chain. But his fast track to the executive suite gets short-circuited when he falls for one of the bosses' girlfriends. The Apartment features top-notch performances from Lemmon and Shirley MacLaine and was nominated for 10 Academy Awards, winning five, including Best Picture.
First: holy crap, how cute is Shirley MacLaine? And second: I think I'd enjoy romantic comedies more often if they included suicide attempts. ...I don't mean I find suicide entertaining in and of itself. I just am a fan of ... darker elements, I suppose. Anyway, GOOD MOVIE. Watch it, if you haven't before. And if you have ... watch it again! [Rating: 4 stars]
The Philadelphia Story (1940)
Socialite Tracy Lord (Katharine Hepburn) prepares to remarry, but her ex (Cary Grant) and a tabloid reporter (Best Supporting Actor Oscar-winner James Stewart) have other ideas as they converge on her home for a fateful visit. The three stars form an incomparable trio in one of the most tantalizing screwball romances ever. And under the direction of George Cukor, this once-urbane Broadway comedy springs to life with precision and wit.
This movie lost half a star because Jimmy Stewart is in it, and I hate his stupid voice so much it makes me feel violent. XD But put that aside and I quite enjoyed this movie. In the character department, I was thoroughly amused by Dinah and Uncle Willie. When it comes to the acting, my favorite things were drunk Katharine Hepburn and Jimmy Stewart (in scenes together and apart) and Cary Grant's delivery in his scenes with the new fiancé. It took me a little longer than I'd have liked to get into the movie, but once I did, it was a fun one. [Rating: 3 stars]
Eternal Sunshine of the Spotless Mind (2004)
After learning that his mercurial ex-girlfriend, Clementine Kruczynski (Kate Winslet), has undergone an experimental medical process to purge all memories of him, mild-mannered Joel Barish (Jim Carrey) opts for the same procedure. But during the operation, he decides he doesn't want to lose what's left of their relationship and tries to conceal her image in his memory cells. This quirky romantic comedy won an Oscar for Best Original Screenplay.
I really wanted to like this movie. Really, I did. But it didn't work out that way. I was bored by it, and therefore occasionally confused because my attention would wander and I'd miss something. I didn't like any of the characters and I didn't really believe the relationship. There wasn't great screen chemistry so the whole thing just felt ... flat. [Rating: 2.5 stars]
Punch-Drunk Love (2002)
Barry Egan (Adam Sandler) -- a bathroom supply salesman prone to paroxysms of destructive rage -- finds his life refreshed when he meets Lena Leonard (Emily Watson), who falls in unconditional love with him. Meanwhile, Egan tries to escape constant harassment from his seven sisters as well as three thugs who have implicated him in a phone sex extortion scam. Paul Thomas Anderson (Boogie Nights, There Will Be Blood) writes and directs.
I couldn't even make it all the way through this. It felt so random and pointless, and I'd just been bored half to death by Eternal Sunshine that I just had to stop about halfway through. [Rating: 1 star]